Tags
If we were to believe Sigmund Freud, the father of modern psychology and psychoanalysis, then our desire to collect is the fault of our parents (more information at the end of this post). Sure Freud’s findings were based on his observations and introspection, but still it gives us an excuse – it’s some one else’s fault.
We might consider collecting to be a modern thing, and certainly there is something out there for most people to spend their money on, but really I believe it depends on three conditions, spare money, spare time, and self control. Certainly since recovering from the end of Second World War there has been an increase in the first two for many people, however there are plenty of examples in museums of collections created by people from the upper echelons, and indeed some of those museums and art galleries actually started as a way of displaying the contents.
Control is where many of us fail or part fail. After all many of the people reading this, like me, will have more pens than they can use. I’ve noticed a number of different categories we fall in to:
- Those who exhibit little or no self control and get caught up in the moment on seeing a new and interesting pen.
- Those who have partial control and do limit their purchasing, but are still dangerous/in danger at pen shows, or when browsing on line sales – I consider myself to be part of this group.
- Those who have tight control and will often sell pens before buying more and manage to limit the size of their collection (though some times they have to reign themselves in).
- Those who have tight control and only own a few pens, though those may change over time.
- Those who to tend to bounce between different hobbies, none lasting more than a year or two, and tend to be large scale purchasers at the start.
I think it can be hard to identify where you fall in to the above, or even if there is another grouping I have missed, after all this is just a list I have compiled by observations made at pen clubs and of friends (several of whom I would class as archetypal otaku). I’ve also ignored those who effectively are traders and just target pens they think they can resell for a profit.
So question, what do you think of your own self control, your collection size, your buying habits. Do you have collections other than pens (he writes as glancing across to a shelf full of RPG games by Fantatsy Games Unlimited (1975-1991), many of which have never been, and never will be played).
Freud on collecting. First off I would like to point out that much of what Sigmund Freud identified has either been debunked or corrected. Additionally I’m certain there is still probably an argument going on about nature v nurture with respect to this topic. I’ve barely touched Psychology for over 30 years, though if you want an understanding on how to create presentations and why certain tricks work, then I’m your man for a suitable pen or two …).
Freud basically said that the human desire to collect came from potty training. When parents start to encourage a baby/young kid to use a potty, rather than a nappy, the old techniques (no clue if this is still the case as I do not have kids of my own) were to reward and congratulate the child for showing they had used the potty. This positive stimulus to collecting faeces becomes imprinted on our minds and as we mature we find we gain pleasure from collecting other things – back in Freud’s days it would have been books, butterflies, ceramics, paintings, music scores, etc.
Net result – we enjoy collecting because as young kids our parents rewarded/complimented us for doing so, ergo, our large pen collections are all their fault ….
I am a combination of a couple of categories:
in the beginning of finding any new hobby, I dive deep and learn all I can and try as many of the elements of the hobby as I can. Over about a year (or less, depending on the subject), I learn what I feel I need to learn and have gained the hands-on experience I feel comfortable with.
At this point, I can either leave that hobby/interest in favor of a new one (or an old one, as I tend to do this as a serial endeavor) OR I scale back the I-gotta-know/have-it-all behavior and settle down to enjoying it and incorporating it into my everyday life.
With regard to fountain pens, the first portion took about a year and a half, the second another 6 months or so, bringing me to the present day.
In that time period, I’ve gone from being a complete newbie to someone who is comfortable with a small range of pens. I have narrowed my preferences down to about 5 or so manufacturers and have no real desire to acquire different models. I have found my tribe and my range.
In case you’re interested, the makes and models I’ve chosen are:
1. Lamy AL-Star and Safari. I like their colors and they are collected for the color range and how durable they are when thrown into a backpack all willy-nilly. The shaped grip/section doesn’t bother me one bit.
2. TWSBI Eco and TWSBI Diamond 580: even more than my Lamys, these are my go-to workhorse pens. They also hold a metric butt-ton of ink and with their clear barrels, double as pocket lava lamps. So soothing to watch the ink slosh back and forth.
3. Sheaffer No Nonsense: This model is the first I’ve encountered and used, going back to my first year in high school. I discovered fountain pens with this one and then took a 30 year hiatus before picking up FPs again. Being #3 on the list by no means represents my preference or the importance of this brand. It will always come first in my heart, even if it is not the first pen I reach for.
4. Platinum Preppy, Metropolitan, and Procyon: I am waiting for my birthday to break open the Prefounte I purchased months ago, but of the other three, I am very happy with their performance, style, and feel in my hand. Like the others already listed, they are in my workaday stable of pens.
5. Vintage: I have an Esterbrook SJ with a 2048 nib. I haven’t tried the modern reincarnation of the Esterbrook, so I cannot say how it works for me, but the vintage pen body and the separate vintage NOS nibs I’ve purchased are simply lovely. I have a Sheaffer Jr inked up with Waterman ink and it too is a lovely little bullet-ended pen, with a lovely semi-flex nib. When I want flex and super responsiveness, I reach for these two pens. Due to the durability and ready availability of the Estie, it gets carried round everywhere with me. Due to the relative rarity of the Sheaffer Jr, it is stored safely and used less often than the Estie.
And there you have it.
Wow. Freud sure had some colorful ways of explaining things. I don’t think I’ll be using this excuse in conversation anytime soon. I’ll just let people think I’m crazy-obsessed with fountain pens.